Renowned front-of-house engineer Sean Sully Sullivan selects Avids flagship live sound system to deliver exceptional sound quality for The Getaway World Tour
Avid® (Nasdaq: AVID), a leading global media
technology provider for the creation,
distribution and monetization of media assets
for global media organizations, enterprise users and
individual creative professionals, today announced that
front-of-house engineer, Sean “Sully” Sullivan, has
chosen its flagship live sound system, Avid VENUE™ S6L,
to mix front of house for the Red Hot Chili Peppers The
Getaway World Tour. Powered by the MediaCentral®
Platform, the most open, tightly integrated, and efficient
platform designed for media, Avid VENUE S6L gives Sully
the unrivaled flexibility and performance to meet the
demands of one of the biggest tours of the year.
Until now, the Chili Peppers’ tours have been mixed on
an analog console, but with the help of sound provider
Rat Sound, Sully recently transitioned to the Avid digital
live sound system, part of Avid’s comprehensive tools
and workflow solutions to create, distribute and
optimize media. A second S6L system is used backstage
by recording engineer Jason Gossman, who mixes the
recordings the next day before uploading them to the
band’s website to be sold as MP3s.
“We can achieve much better results with digital due to
the options the architecture provides—you have endless
possibilities,” said Sully, who mixes for some of the
world’s biggest artists, including Rihanna and the Beck.
“My first time hearing the full band was in front of a
crowd. The house lights went off and it was time to go.
It’s not how I typically like it to go, but since they sent
me recordings of shows, the power of S6L’s Virtual
Soundcheck made it easy. For me, Virtual Soundcheck is
the biggest game-changing event in live sound since
the beginning—it’s that big of a deal.”
Sully and Gossman have both been longtime users of
Avid VENUE live systems, and immediately appreciated
Avid VENUE S6L’s new preamp design and extended
headroom. Sully shared, “Not to say that the Profiles
were bad, but the S6Ls are obviously better. That’s
where I think the biggest difference is. Avid has upped
the game as far as the input quality goes.”
“Every year, our distinguished live sound customers rely
on Avid’s powerful tools and workflow solutions to
tackle the biggest tours around the world,” said Jeff
Rosica, President at Avid. “With Avid VENUE S6L’s
versatility, unmatched integration with Avid Pro Tools®,
and cutting-edge capabilities, Sully can provide stellar
sound for the Red Hot Chili Peppers tour. That’s why it’s
the top choice for the industry’s best live sound
engineers.”
Avid VENUE S6L is a fully modular, flexible live sound
mixing system that delivers best-in-class functionality
for a range of live sound mixing applications, including
front-of-house, monitor, broadcast, theater, and more.
Offering unprecedented processing capabilities—with
over 300 processing channels—S6L delivers unrelenting
performance and reliability through its advanced engine
design, backed up by modern touchscreen workflows
and the scalability to easily handle large, complex tours
and events. Like all Avid VENUE systems, S6L provides
seamless Pro Tools integration and on-board industry-
standard plug-ins, with higher track counts and more
processing power than ever before. With a
comprehensive array of network and I/O offerings, users
can easily configure the system to meet the demands of
any type of show.
About Avid
Through Avid Everywhere™, Avid delivers the most open
and efficient media platform, connecting content
creation with collaboration, asset protection,
distribution and consumption. Avid’s preeminent
customer community uses Avid’s comprehensive tools
and workflow solutions to create, distribute and
monetize the most watched, loved and listened to media
in the world—from prestigious and award-winning
feature films, to popular television shows, news
programs and televised sporting events, and celebrated
music recordings and live concerts. With the most
flexible deployment and pricing options, Avid’s industry-
leading solutions include Pro Tools®, Media
Composer®, Avid NEXIS™, Interplay®, ProSet™ and
RealSet™, Maestro™, PlayMaker™, and Sibelius®. For
more information about Avid solutions and services,
visit www.avid.com, connect with Avid on , Instagram, ,
YouTube, LinkedIn, or subscribe to Avid Blogs.
© 2017 Avid Technology, Inc. All rights reserved. Avid,
the Avid logo, Avid Everywhere, Avid Nexis, iNEWS,
Interplay, AirSpeed, MediaCentral, Media Composer,
PhraseFind, Pro Tools, ScriptSync and Sibelius are
trademarks or registered trademarks of Avid Technology,
Inc. or its subsidiaries in the United States and/or other
countries. The Interplay name is used with the
permission of the Interplay Entertainment Corp. which
bears no responsibility for Avid products. ACADEMY
AWARDS® is the registered trademark and service mark
of the Academy of Motion Picture Arts and Sciences.
Emmy is a registered trademark of ATAS/NATAS. Dolby
Atmos is a registered trademark of Dolby
Laboratories. All other trademarks are the property of
their respective owners. Product features, specifications,
system requirements and availability are subject to
change without notice.
technology provider for the creation,
distribution and monetization of media assets
for global media organizations, enterprise users and
individual creative professionals, today announced that
front-of-house engineer, Sean “Sully” Sullivan, has
chosen its flagship live sound system, Avid VENUE™ S6L,
to mix front of house for the Red Hot Chili Peppers The
Getaway World Tour. Powered by the MediaCentral®
Platform, the most open, tightly integrated, and efficient
platform designed for media, Avid VENUE S6L gives Sully
the unrivaled flexibility and performance to meet the
demands of one of the biggest tours of the year.
Until now, the Chili Peppers’ tours have been mixed on
an analog console, but with the help of sound provider
Rat Sound, Sully recently transitioned to the Avid digital
live sound system, part of Avid’s comprehensive tools
and workflow solutions to create, distribute and
optimize media. A second S6L system is used backstage
by recording engineer Jason Gossman, who mixes the
recordings the next day before uploading them to the
band’s website to be sold as MP3s.
“We can achieve much better results with digital due to
the options the architecture provides—you have endless
possibilities,” said Sully, who mixes for some of the
world’s biggest artists, including Rihanna and the Beck.
“My first time hearing the full band was in front of a
crowd. The house lights went off and it was time to go.
It’s not how I typically like it to go, but since they sent
me recordings of shows, the power of S6L’s Virtual
Soundcheck made it easy. For me, Virtual Soundcheck is
the biggest game-changing event in live sound since
the beginning—it’s that big of a deal.”
Sully and Gossman have both been longtime users of
Avid VENUE live systems, and immediately appreciated
Avid VENUE S6L’s new preamp design and extended
headroom. Sully shared, “Not to say that the Profiles
were bad, but the S6Ls are obviously better. That’s
where I think the biggest difference is. Avid has upped
the game as far as the input quality goes.”
“Every year, our distinguished live sound customers rely
on Avid’s powerful tools and workflow solutions to
tackle the biggest tours around the world,” said Jeff
Rosica, President at Avid. “With Avid VENUE S6L’s
versatility, unmatched integration with Avid Pro Tools®,
and cutting-edge capabilities, Sully can provide stellar
sound for the Red Hot Chili Peppers tour. That’s why it’s
the top choice for the industry’s best live sound
engineers.”
Avid VENUE S6L is a fully modular, flexible live sound
mixing system that delivers best-in-class functionality
for a range of live sound mixing applications, including
front-of-house, monitor, broadcast, theater, and more.
Offering unprecedented processing capabilities—with
over 300 processing channels—S6L delivers unrelenting
performance and reliability through its advanced engine
design, backed up by modern touchscreen workflows
and the scalability to easily handle large, complex tours
and events. Like all Avid VENUE systems, S6L provides
seamless Pro Tools integration and on-board industry-
standard plug-ins, with higher track counts and more
processing power than ever before. With a
comprehensive array of network and I/O offerings, users
can easily configure the system to meet the demands of
any type of show.
About Avid
Through Avid Everywhere™, Avid delivers the most open
and efficient media platform, connecting content
creation with collaboration, asset protection,
distribution and consumption. Avid’s preeminent
customer community uses Avid’s comprehensive tools
and workflow solutions to create, distribute and
monetize the most watched, loved and listened to media
in the world—from prestigious and award-winning
feature films, to popular television shows, news
programs and televised sporting events, and celebrated
music recordings and live concerts. With the most
flexible deployment and pricing options, Avid’s industry-
leading solutions include Pro Tools®, Media
Composer®, Avid NEXIS™, Interplay®, ProSet™ and
RealSet™, Maestro™, PlayMaker™, and Sibelius®. For
more information about Avid solutions and services,
visit www.avid.com, connect with Avid on , Instagram, ,
YouTube, LinkedIn, or subscribe to Avid Blogs.
© 2017 Avid Technology, Inc. All rights reserved. Avid,
the Avid logo, Avid Everywhere, Avid Nexis, iNEWS,
Interplay, AirSpeed, MediaCentral, Media Composer,
PhraseFind, Pro Tools, ScriptSync and Sibelius are
trademarks or registered trademarks of Avid Technology,
Inc. or its subsidiaries in the United States and/or other
countries. The Interplay name is used with the
permission of the Interplay Entertainment Corp. which
bears no responsibility for Avid products. ACADEMY
AWARDS® is the registered trademark and service mark
of the Academy of Motion Picture Arts and Sciences.
Emmy is a registered trademark of ATAS/NATAS. Dolby
Atmos is a registered trademark of Dolby
Laboratories. All other trademarks are the property of
their respective owners. Product features, specifications,
system requirements and availability are subject to
change without notice.
Comentários
Postar um comentário